Ron Scherl – Page 2 of 17

ENVIRONMENTAL ART

A wise and dear friend of mine invited me to a showing of a film called Legacy by Yann Arthus-Bertrand. https://www.yannarthusbertrandphoto.com
Legacy is a compilation of five films and still photographs he has made over the years assembled into a 360 degree immersive projection experience. The images take us from an imagined fiery birth of the earth to the all too real present days of over-population and over-consumption.

Legacy: Yann Arthus-Bertrand Photo:©2020 Jess Holmes

It is a spectacular testimony of concern for the planet and its inhabitants, a warning, and a message of hope. It is also the crowning achievement of a brilliant career dedicated to the preservation and rehabilitation of our environment.
Arthus-Bertrand’s genius lies in his extraordinarily skillful and artistic aerial and terrestrial photography and videography, but also in his ability to take an idea from concept to fruition. What elevates great visual art to the realm of genius is Arthus-Bertrand’s commitment to the preservation of the planet.

Legacy: Yann Arthus-Bertrand Photo:©2020 Ron Scherl

And what translates commitment to action is the Good Planet Foundation that grew out of Arthus-Bertrand’s work. https://www.goodplanet.org/fr/
Legacy was initially an exhibition of still photographs and video, now a projected environment of images and extraordinary music by Armand Amar playing as part of the Jam Capsule program of videos at La Grande Halle of La Villette. https://lavillette.com/programmation/jam-capsule_e882

AND MORE

Alexander Brinitzer Photo:©2020 Ron Scherl

Paris is, of course, chock full of environmental art but there’s always room for more and Alexander Brinitzer is doing his part. With the approval of M. Sack, the proprietor and cordonnier, Alexander has livened up our little corner of the 15th and put smiles on the faces of our neighbors. At least I think so. It’s very hard to see smiles beneath the masks.

Check out the work of this talented young man:

@alexanderbrinitzer and @akbshead

SEARCHING FOR NORMAL

Normal is hard to imagine, but baseball has always been constant in my life. And for the last fifty years, that’s meant the San Francisco Giants. And living in France that means MLB.com. Not perfect, but once I learned how to get to yesterdays’ game without revealing the final score, I was fine. It’s not easy and not recommended for the inexperienced.
So MLB.com brings me games, but as I’m sure you’re aware, there are no fans in the seats. This is surprisingly disorienting. The canned fan noise isn’t much help. The celebrity cutouts in the seats are amusing the first time you see them, but then it’s time for baseball and it doesn’t feel right. It’s more like some futuristic nihilistic experience designed to keep the people content. It’s Orwell-ball, and I suppose the participants are rewarded with extra rations.
Now, if you’ve been paying attention, you know the Giants are in what we might politely call a transition period; i.e., they suck. This is a changing of the guard, but I can’t help but feel that the good teams understand that change is inevitable and prepared for it. I will not, I cannot cite the Dodgers. The Giants chose to ride the wave until there was nothing left and now begin a total rebuild—from scratch. Hard to blame them, the wave was high, the money was good, Let the Good Times Roll.
BUT, we still have Kruk and Kuip: Mike Krukow and Duane Kuiper They can’t pitch, they can’t hit, but somehow they make every inning enjoyable. They know the game and never talk down. What a pleasure. They never pretend to be dumber than they are—an epidemic in sports broadcasting—presumably because they think listeners aren’t very smart. Add in Jon Miller and Dave Flemming on radio, which is not available to me at the moment, and you have a reason to pay attention.

Yogi

My friend, Larry Walker, who grew up in the Midwest with the Cardinals on radio, prefers to listen. I’m a few years younger, was raised in New York with Mel Allen, Red Barber, Russ Hodges and the early days of television and have always leaned on the visual.
Sidebar: I‘m thinking about beer: Yankees- Ballantine; Dodgers-Schaeffer; Giants-Rheingold. Not sure that’s right. Anyone with better memory, please set me straight.
Normal—not quite. This virus that I think of as the earth’s response to all the damage we’ve done, has rearranged any idea we may have had about normal. Everything has changed and, like the Giants, we can ride the wave as long as we can, or we can rethink our relationship to this planet, and try to rebuild what we have so severely damaged.
©2020 Ron Scherl

Still Life with Baseball — Why is there a pine cone in the glove?

Blame it on the Stones

Brown Sugar
Bitch
Rocks Off
Gimme Shelter
Happy
Tumbling Dice
Love in Vain (Robert Johnson cover)
Sweet Virginia
You Can’t Always Get What You Want
All Down the Line
Midnight Rambler
Bye Bye Johnny (Chuck Berry cover)
Rip This Joint
Jumpin’ Jack Flash
Street Fighting Man
Encore:
Let It Rock

I’ve always thought that my hearing loss was due to three nights of Rolling Stones Concerts at Winterland in 1972. Here’s the set list according to setlist.fm. Who knew there was such a thing. If it weren’t for Facebook, the internet would be a wonderful thing.

A great night of music.

I was working for a small ambitious publication called The Night Times. My friend, Joel Selvin was the editor. We met when we were copyboys at the Chronicle: Joel went on to a music column for the Chron and several well-received books on the music business. I went on to San Francisco Opera and a freelance photography business centered on the performing arts that lasted to Y2K (another blast from the past).
I now live in Paris (France) and am looking for a good deal on hearing aids. Blame it on the Stones. No really. Three nights in front of mountainous speakers, my ears were ringing for a week and my hearing has never been the same.
I shrugged it off for a long time, Sir Mick, but now it’s getting serious. I’m having a very difficult time understanding the French. This puzzles me, Keith. I should be better than this. I’ve worked hard, studied for a long time, spent lots of time here and have lived here for the last three years.
So I began to investigate hearing aids, actually, I started that a long time ago but lost the one I had, so the search began anew. Today, I had a hearing test that asked me to repeat recorded words and it quickly became apparent that I was mishearing many sounds. When an “S” sounds like “F”, it becomes very difficult to learn a language. I’ve lost all the edges. Everything in the upper register sounds like it’s wrapped in an Arctic parka. Sounds on the lower end simply don’t penetrate.
I’m not really blaming you, Charlie. I didn’t have to stand there, although if my paper had a little more clout, I might have been onstage next to Jim Marshall, but Jimmy’s dead and I’m still here so it’s hard to say that would have been better. Of course, I was never as aggressive as Jim so I probably wouldn’t have been there anyway, but let’s not sweat the details, Bill.
It’s late, Ronnie. I’m going to bed. I’ll finish this tomorrow.

Rolling Stones, Winterland, 1972 ©1972 Ron Scherl

There’s really not much more to say. I’m sure you guys were worried about me, but really it’s not a problem. It’s only rock ‘n roll.

A Jew in France

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
W.B. Yeats, 1920

A lot has been written lately about the rise in anti-Semitism in France. The New York Times and The Guardian have reported in the last week on increased incidences of the desecration of Jewish cemeteries and synagogues with the painting of that most recognizable symbol of hate: the Nazi Swastika, and the denunciation of these acts by the Macron government. An article in Le Monde quoted Macron as saying in a speech to CRIF, a coalition of French Jewish organizations: the resurgence of anti-Semitism in France is unequaled since the second world war. In contrast to Mr. Trump, President Macron and Prime Minister Edouard Philippe unequivocally denounced hatred and the haters, saying “this is not the country we are.” It may not be the country they want, but it is undeniable that there is a long history of anti-Semitism in France, a country with the largest Jewish population outside of Israel and the United States, and a country that deported 78,000 Jews to Nazi death camps.

Entrance to Camp de Rivesaltes — Camp de Rivesaltes

There is certainly an alarming increase in the number of anti-Semitic incidents but it is unclear if this reflects a burgeoning hatred in the population or the increased freedom to broadcast opinions that used to be kept quiet. There is no doubt that as this and other western countries become increasingly polarized, the rhetoric becomes more heated and people gravitate to the extremes of left and right as moderates disappear. In France, Macron’s election destroyed the centrist Socialist and Republican parties; in Britain, Brexit has fractured both the Conservatives and Labor; and in the US, Democrats have moved to the left as Republicans lined up behind Trump. The void in the middle opens a path for populist demagogues as has happened in Brazil, Austria, Hungary, Italy, and the United States.
Macron seemed to be aware of this dynamic when in his speech to CRIF he supported the adoption of a definition of anti-Semitism that is enlarged to include anti-Zionism.

What to make of this?

It can be perceived as a political act, both in attempting to woo a frightened French Jewish community and as a lightly veiled reference to the left-wing leader, Jean-Luc Mélenchon who has been accused of cloaking his anti-Semitism in criticism of Netanyahu’s policies. Tarring the left with the same brush of bigotry that sticks to Marine Le Pen on the right, leaves Macron as the only acceptable choice for a majority of the country. Opposition to the Zionist policies of the Israeli government is not anti-Semitic.
I support the right of Jews to a homeland. I oppose the destruction of the Palestinian people to annex more land for Israel. I am not an anti-Semite, but including opposition to Zionism in a definition of anti-Semitism seems to put all Jews in the same boat which is not very different from saying all Muslims are terrorists.
Macron also spoke of additional laws to ban online hate speech by anonymous postings and an investigation into the increasing number of Jewish students who have left school under the fear of violence.
Macron had to respond with more than words of sympathy. It remains to be seen whether his initiatives will become effective actions but it may not matter. Prejudice is as old as humanity and cannot be legislated away.
©2019 Ron Scherl

Paris is not Burning

Macron and the Gilets Jaunes

I don’t live in the Elysée Palace, nor do I shop on the Champs-Elysées, which left me relatively unaffected by the manifestations of the last few weeks. I’m sure I’d feel differently if I was on a once-in-a-lifetime tour and Saturday was my day for the Louvre and the Lido, but I live here now and I’m learning to shrug like a Parisian.
Last Saturday evening, a Métro ride that should have been 30 minutes took 90, but the restaurant held my table and my friends were still on their first bottle of wine when I finally arrived. This week I shopped around the corner and went home to roast a chicken and dine with Netflix.
The election of Emmanuel Macron wiped out France’s traditional ruling parties—the Republicans on the right and the Socialists on the left—leaving voters with a choice between Macron’s new baby, République En Marche and Marine LePen’s Front Nationale, which has been rechristened the Rassemblement National. So, of course, the left put all their hopes and votes on Macron and the first thing he does is lower taxes on the wealthy.
To be fair, he did say he would do this as part of a plan to reform the French economy and bring it into the 21st century. He also pledged to modernize labor laws and reduce carbon emissions. What many didn’t realize was that all these reforms would hit hardest on the working class, increase the income gap, despair, and anger of people who were already struggling with 10% unemployment and high taxes. Then came the fuel tax hike.
Macron sold it as an environmental issue—and certainly it is—France has to end its dependence on fossil fuels, but this is a tax that punishes the wrong people.
The gilets jaunes began as a grassroots, leaderless effort in rural France where people are dependent on cars to get to work, take their kids to school, and shop for groceries. Public transportation outside the big cities is inadequate or non-existent. The people who can least afford it were asked to shoulder the cost of cleaner air and that was the trigger to get them in the streets, because when the fear of going hungry is real, cleaning the air is an abstract concept that doesn’t seem to have very much to do with day-to-day survival.
Now I have to tell you that I don’t know how real and widespread the fears of the working class are. Taxes here seem high to an American but they are far from the highest in Europe and they do fund a remarkably comprehensive social safety net including a very effective health care program.
Many thought the protests would die out when Macron agreed to delay the gas tax rise, but it has spread in two ways: it’s become a general protest against Macron personally, the president of the rich; and it has been joined by extremists from both ends of the political spectrum who saw an opportunity to exercise their right to vandalism. Protests were smaller throughout the country this week, but this movement is not dead despite the lack of leaders. No one has yet taken credit, but the adoption of yellow vests as a symbol was a brilliant political move. They are ubiquitous because all French drivers are required to carry them in their cars in case of breakdown on the road, and I’m certain news photographers and videographers are extremely grateful for the high visibility.
These are perilous times throughout the world. Authoritarian figures are popping up everywhere to take advantage of widespread discontent and the inequality spawned by dishonest and immoral politicians. In France, Marine Le Pen lurks in the wings.

A Few Days in the Perigord

And a few days away from the problems of my fictional photographers.

Hago and Danny arrived for a brief visit and we took off for the Dordogne, which we all knew only from Martin Walker’s Bruno series of detective novels. Bruno’s almost superhuman wisdom, compassion, and perspective are a bit unbelievable, but the sense of place Walker evokes is tremendously inviting, so off we went: TGV to Bordeaux, rental car to our base in Sarlat.

Bruno lives in the fictional village of Saint-Denis, which exists only in Walker’s imagination, but he creates the place with bits and pieces of regional towns including Sarlat, Les Eyzies, Beynac, and Saint Cyprien.

We arrived too late for the Saturday market and left before the Wednesday edition, but there’s no problem finding good food in Sarlat—if you like duck. Magret, dried magret, gizzards, confit, any way you want it. But there’s also goose, beef, pork, and, thank heavens, fish. They grow a lot of corn around here but most of it goes to feed the ducks and geese; other vegetables make rare appearances, except of course potatoes, which Bruno—who can be found in the kitchen when he’s not chasing bad guys or coaching rugby—fries in duck fat. Just writing this is hardening my arteries and generating a craving for lettuce.

We did occasionally push away from the table and do our touring duty by exploring a cave and boating on the Dordogne River. Cave access is limited. We didn’t arrive early enough to get into our first choice—did I mention the lovely Bergerac wines?—and second place was a letdown. The visible etchings were underwhelming, although my vision may have been less than keen after the third time I hit my head. This is not a great adventure for people over six feet tall with aging knees. The boat ride was more relaxing; I might better describe it as nap-inducing. Not at all a bad thing.

For me, the best parts that didn’t involve eating and drinking were just walking through the villages. There’s a distinctive architectural style of light stone or masonry walls, peaked roofs clad in brown stone tiles and turrets capped with witches’ hats. It’s charmingly traditional and pretty consistent until you get to the main street of Saint-Cyprien.

I cannot explain this. I asked a street sweeper if there was a fête going on and he told me no, that’s on the first of July. So I asked if the town was always decorated like this and he decided to have a little fun with the tourist rube, telling me it was the work of fantômes. I thanked him and looked for the tourist office but it was closed for lunch.

Summer Reading

I have, at last, finished the first complete draft of a new novel. It’s been almost a year, feels longer, but then, in that time I moved twice, first to Maury, then Paris.

And it feels different because my process has changed as I’ve learned how to actually write a novel. First time around, I thought I was working hard. I would read a chapter, polish a bit, read it aloud, and think, that’s pretty good. I had done a lot of research and wanted to be sure everyone was aware of that, so the facts spilled onto the page and overwhelmed the story. I asked a few friends to read a draft and they were kind, much too kind, and my fantasy-prone mind started screaming OVERNIGHT SUCCESS!So I started submitting to agents and got clobbered like a rookie pitcher who can’t get his curveball over the plate. Hitters feast on fastballs. Agents pass on pretty good.

I look at that effort now and see everything that was wrong and that I could not see at that time. I started again and it was better, and I had the good fortune of finding a writing group: Salut! Paris Creative Writers. At my first meeting, I received my first real criticism: gentle, but pointed. Their suggestions were so obvious to me that I could only conclude I still wasn’t working hard enough. I knew to do what they said, but I hadn’t done it. So I revise, and again, and again, and I’m always amazed at the clunky prose I find the fourth time through. But it’s getting better. Fewer clunkers, sharper story, history transformed into a personal journey, a complete first draft and extensive notes for the next.

It will need to sit for a while before revision, so I’ll catch up on some of Barbara’s recommended reading, watch the Giants and France in the World Cup, work on another project, explore Paris, and resume the blog before returning to the book. Expectations have changed. The goal now is to learn how to write a good novel. And I get all that stuff about the process being the reward, but I have not evolved to a state where I no longer need recognition. I’m very much aware of how unlikely it is to be published, but I will submit it to agents, because what’s the point of writing if no one reads it?

A Sunny Sunday

Square Saint Lambert

6 May 2018

I sat next to a woman just as she sighed with satisfaction and closed her book: Avant que les Ombres s’Effacent. Louis-Philippe Dalembert. Before the Shadows Fade turns out to be the story of a Polish Jew who flees Nazism to Haiti, of all places. Turns out Haiti had passed a law in 1939 guaranteeing asylum for the persecuted, and citizenship to all who asked. I keep getting drawn back into this story, first with the surprise of discovering the similar policies of Mexico, and now Haiti, two countries who saved many thousands of Jews turned away by the United States.

My parents adored Franklin Roosevelt—so much so that as a kid I thought he must be Jewish—but FDR bowed to the isolationists and anti-Semites in clamping down on European immigration. US visa offices were closed and all applications had to be approved by the State Department in Washington. People like Hiram Bingham and Varian Fry did their best, but their efforts were severely hampered by their own government.

I don’t know how much the American public knew at the time. I can only assume my parents were misinformed.

But, hey. It’s a beautiful day in Paris and this piece was supposed to be just an impressionistic summer observation of an ex-pat with a camera.

Reading woman left and was replaced on the bench by a young boy wearing glasses and reading Harry Potter et la Coupe de Feu. That’s more like it.

There’s a man juggling on the green—not very well—and the green is crowded. Balls are landing all over but the sun worshipers are happy and cheer him along. There are lots of kids on wheels and lots more kids with balls and when the two intersect, a few tears flow, but dads are there to brush them off and get them back on the bikes. Seems like a lot of dads watching kids, which would make me wonder about the divorce rate if I weren’t so intent on a sunny day.

Beach towels, football jerseys, books, and selfies. Young women in bikinis, sunglasses, and straw hats, winter pallor slick with oil. The young are all on the green, the rest of us seek benches in the shade.

Let’s close this with an unusual war memorial. I just can’t help it. If anyone can tell me who the three gentlemen on the left are, and what the inscriptions “T.O.E.” and “A.F.N.” stand for, I’d appreciate it.

Merci beaucoup.

The Louvre

Family in town so we’re doing the right things. Today was the big museum with the pyramid and the lady from the DaVinci Code novel. She is there. I know because I’m tall and my camera is bigger than most.

This is some really athletic art appreciation, something like a rugby scrum. I know nothing about rugby but I imagine it takes strength, determination and some sharp elbows to work your way through the scrummy thing, which is exactly what’s needed to get to see the lady in question. But all I really need is to get close enough to get a picture, so I’ll always have the memory.

I used to think people took pictures of pictures to have the memory and avoid the gift shop, but here’s the thing: It’s not the art, it’s the experience. Been there, done that, got the t-shirt.

Paris ☑Louvre ☑What’s her name ☑

Don’t worry. I’m not going to get all snobby about this, wonder why people do it, and then blame Facebook. Not me. I live in the real world and I’d rather blame Facebook for much bigger crimes.

I see nothing wrong with people taking pictures of art. I’m glad they do it. Glad they support the museums with their tickets and glad the museums have wised up and allow it. I’m not sure what people take from the experience, but it certainly can’t hurt.

Shoot Pictures. Not People.

Americans in Paris

MARCH FOR OUR LIVES